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Frank Wilson - Do I Love You (Indeed I Do) Herunterladen

Genre: Soul Musik
Darsteller: Frank Wilson
Titel: Do I Love You (Indeed I Do)
Stil: Soul
Datum der Freigabe: 1979
Label: Tamla Motown
Katalognummer: TMG 1170
Land: UK
FLAC Albumgröße: 2312 mb
MP3 Albumgröße: 1172 mb

Trackliste

1Do I Love You (Indeed I Do)
Written-By – Frank Wilson
2:31
2Sweeter As The Days Go By
Written-By – Frank Wilson, Marc Gordon
2:50

Versionen

CategoryArtistTitle (Format)LabelCategoryCountryYear
S 35019Frank Wilson Do I Love You (Indeed I Do) / Sweeter As The Days Go By ‎(7", Single, Promo)SoulS 35019US1965
TMG 1170Frank Wilson Do I Love You (Indeed I Do) ‎(7", Single, Mono)Tamla MotownTMG 1170UK1983
TMG 1170Frank Wilson Do I Love You (Indeed I Do) ‎(7", Single)Tamla MotownTMG 1170UK1979
SEV001Frank Wilson Do I Love You (Indeed I Do) / Sweeter As The Days Go By ‎(7", Single, Ltd, RE, TP, W/Lbl)Outta SightSEV001UK2018
IN 6326Eddie Foster Sweeter As The Days Go By / Do I Love You (Indeed I Do) ‎(7", Unofficial)In Records IN 6326USUnknown

Credits

  • ProducerHal Davis & Marc Gordon

Hinweise

This is the first UK release.

Demo record not for sale

Unternehmen

  • Published By – Jobete Music (UK) Ltd.
  • Phonographic Copyright (p) – Motown Record Corporation

Video

Musik

Do I Love You Indeed I Do. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей коллекцией. Текст песни: Here I am on bended knees I lay my heart down at your feet Now do I love you All you have to do is ask. Do I Love You Indeed I Do is a song and single by American soul singer Frank Wilson first pressed in 1965 on the Motown subsidiary label Soul. It is Wilson's only Motown single and is a prized item among collectors. Approximately 250 demo 45s of the song were pressed in 1965 and scheduled for release on 23 December 1965. Owing to a combination of Wilson deciding that he would rather focus on producing and Motown's Berry Gordy's lukewarm reception of the vocals and wish to prevent his producers. The original version of this song is quite simply the most sought-after Motown and Northern Soul record of all time. The legendary Motown producer, I Love You Indeed I Do. Do I Love You Indeed I DoInstrumental version originally performed by Frank Wilson. The story of Do I Love You Indeed I Do Motown artist Frank Wilson recorded the song in 1965 and the single was scheduled for release on the Motown subsidiary label 'Soul' on December 23rd 1965 as 'Soul 35019'. Frank Wilson then decided that his future lay as a producer and writer rather than a performer, and that he couldn't afford the time to promote the single, so the release was shelved and the demo pressing of 500 copies of the single trashed. And that should have been that, just one more might-have-been read more. Reputedly the most valuable record in the world. Frank Wilson. This track is not available in Russian Federation - Learn more. On this page you can download song Frank Wilson - Do I Love You Indeed I Do in mp3 and listen online. Rock Classic Rock OST. Cemetery Junction - OST, Городок Семетри - Саундтрек. Скачать MP3. Similar songs. Clark - Do I Love You. WitchcrafT - Ìîé ÌÐòâûé Àíãåë Acoustic Ver. by Frank Wilson. Album: 60's Soul Mix: 50 Classic Tracks To Feed Your Soul 1965. Get the Sheet Music License This Song . songfacts . Motown singer, writer and producer Frank Wilson originally recorded this as a demo in 1965. Frank Wilson passed away of lung infection complications on September 27, 2012 in a hospital in Duarte, Southern California aged 71. More songs from Frank Wilson. More songs of or about the Northern Soul movement. More songs from 1965. Lyrics to Do I Love You Indeed I Do

Kommentare zum album Frank Wilson - Do I Love You (Indeed I Do)
Peles
Few little factual errors here
As EMI were in the throws of loosing the UK/Euro licence of Motown to RCA/Ariola the parting gift was the UK release of this hallowed gem.............and to add to the finger up, 95% of the presings came with Demo Single labels, (I have yet to see an EMI non demo label) IMHO the only foolish gaff was this came out in the same mono mix as the USA would have done all those years ago All RCA did was use the same acquired metals reissue it in the same but not as a demo!
Polygram when they took over Motown from RCA/BMG/Ariola and hurded it under the house of Mercury they too released this BUT with the Chris Clark vocal on the B (the backing track was used by both Frank and Chris) however there was an almighty gaff the cutting engineer took the stereo master and used just the right channel and folded it down to mono! Had a Green card die-cut sleeve side opening It sounds vile and had everything missing (Polygram were good at this, they did the same with The Osmonds One Bad Apple when it came out on a 4 track 12" one track of the stereo folded down to mono!)
I am amazed that no-one has listed the corrected and put right release by UMG with its silly long number smaller logo labels small hole un-dinked pressing in a retro Tangerene die-cut card sleeve but guess what>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>it's STEREO and blows your socks off.
This track has to be heard in stereo, owned in stereo and loved in stereo. fact
betelgeuze
This record was recorded back in 1965 on Motown. The story goes that after recording it Berry Gordy, the founder of Motown, ordered Frank to concentrate on writing rather than singing. The record never saw the light of day, because Gordy commanded to destroy all promo copies.

In 1977 Tom Dieperro, a Motown historian who worked for them in the mid 70's, found a surviving copy and later Simon Soussan discovered it while perusing Tom's record collection. Simon recognised this as being a perfect record for the northern soul scene where rarity was an integral part of the DJ's attraction. Northern soul dj's were constantly seeking new records that nobody else had. They even covered up the labels and changed the artist name to prevent other DJ's tracking down the same title.

So, Frank's one single, ended up getting credited to 'Eddie Foster', it became a huge hit in the scene, and it wasn't until 1978 that the truth was discovered. The one known copy changed hands for increasingly high prices, whilst a second copy was discovered in 1990. In 1996 the record was bought by Kenny Burrel for 15.000 pounds - making it the most expensive record ever.
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